Sunday, May 15, 2011

Tiger Handheld: actually entertaining—in the nineties?

Then again, maybe not. Here follows Andy Wallace's LitEx of sometime earlier in the semester. I assume that the Scriba's notebook is locked up at this point, so you're all going to have to be content with my assurance that Mr. Wallace delivered this deadpan gem sometime around early February. Stay tuned for more tonight and over the coming days!

Tiger Handheld’s NBA Jam: A Critical Review

NBA Jam is one of the classic Tiger Handheld games that populated my youth. I say classic not because I specifically remember this one: I don't. I say classic because I have played it before, as has anybody who has ever played any Tiger Handheld. Each of these bizarre little boxes promised a world of fun and offered only confusion. Each lured you in with images of a movie you liked, or worse, a legitimately good game, as was the case with NBA Jam.

Midway’s actual classic arcade game managed to appeal to everybody. Jocks could finally find themselves playing an arcade game, since by 1993 graphics were good enough to display actual players, and it could feel vaguely like watching a real sports event, except that this one was infinitely better because sometimes you would catch on fire and make the backboard explode. And nerds found themselves with an extremely playable sports game that also let them catch on fire and make things explode.

Given the game's success, it’s no surprise that it was one of the many games sent through Tiger’s torture maze only to emerge from the other side a shattered, LED-lit version of its former self.

When I turned the game on, I was invited to select my team. I have no idea what effect this has on the game, although I would wager a strong guess that the answer is “nothing.” This process itself seemed like an afterthought, evidenced by the fact that the only way of identifying which team I picked was a sticker slapped haphazardly on the back on the device listing the teams. For all intents and purposes, though, you play as team Left facing off against their rivals, team Right.

Up until this point, the game was about cycling through numbers. This is the last point at which anything made sense. I didn’t know it, but I was about to get into the jam. The game started with 4 men lit up against the back of the screen. They all began moving and after a little while I was able to determine that team Right had the ball. I knew I needed to thwart them, but I first needed to determine where or who my character was. Given that there were only two people on my team this seemed like an easy task; I cannot stress just how wrong this assumption was. After pressing up and down for at least ten seconds I finally determined which of my two men was under my control. The problem, though, was that they were identical, and occasionally shared one of the very few spots on the board, requiring another round of mashing the up and down keys to determine which one is flailing in sync with my button presses as opposed to the automated seizure-mind that seems to control the remaining three players.

This movement style should be familiar with anybody who has ever attempted to squeeze entertainment from a Tiger Handheld device. The graphics are comprised of pre- set LEDs, so there is a very limited amount of states that any character can appear in. In this game, my available spaces seem to be left-up, left-middle, left-down, and right-middle. I have no idea why I couldn't run toward my opponent's net on the top or bottom of the screen, but as far as I could tell, it was impossible. Running toward either net presented it's own special brand of confusion. The back of the screen is overlaid with an image of center court, except I wasn't always at center court. Sometimes I was very far from it, but this would only become apparent when either my or my opponent’s net would appear on the side of the screen. The first time this happened, I was still in the throws of determining who I was. This existential dilemma was interrupted by my net suddenly jutting into view. I knew I had to do something, so I took a quick look at the buttons available to me.

My options were "SHOOT/BLOCK," "PASS/STEAL," "TURBO," and "REBOUND." I first tried moving myself in front of the opponent and pressing BLOCK. This made my player raise his hands. I liked this because it seemed like a reasonable reaction, unlike the spasms I had grown used to. However, disappointment soon set in when I realized that I had not once seen my opponent pass. (At least, I don't think I had. I realized later that passing acts something like a teleporter, instantly making the ball appear somewhere else. This would be more obvious if there were more than maybe 10 positions that ball could be in on the screen, most of which are fairly close and could viably be arrived at with a dribble).

Getting tired of raising my arms like a yeti at my opponent I started pressing STEAL. I did this over and over as I tried to move around and stay with him. I suppose it worked because after a while I realized that I had the ball. I did not pick up on this immediately because the ball hadn't actually moved much. It had stayed in almost exactly the same space between me and my opponent, only now my hand was raised slightly instead of his. At any rate, I started running and eventually made it to their net, where I pressed the SHOOT button. I watched with anticipation as the ball went directly into the basket. This is where I encountered perhaps the largest break with reality. I am not a sports fan, and I will admit that I probably did not understand exactly how to control this game, but when the ball goes in my opponent's net, I should get a point. I am confident about this. However, the little number at the bottom of the screen remained at zero. Maybe it's not the score. Who knows?

I managed to sink two more shots, and while I may have been pleased with myself, the game was not and refused to budge from zero before barraging me with some bleeps and bloops before turning itself off when the timer ran out, presumably deciding that I had not earned the right to face the next team.

When I started, the game ominously declared my rank to be 27, which I assume is pretty bad. But I cannot imagine mustering up the courage and resolve to play this game 27 times in order to reach first place. I will stay content with my rank of 27. I can't be the best at everything I try, and this is a battle I am happy to forfeit. I have no doubt that there are kids who have attained that first place rank—kids who could tell me how passing works or what REBOUND, a button I was never able to use, actually does—but it will never be me. And I'm strangely content with that.

Saturday, May 14, 2011

AND we're back.

Dearest, darlingest Phileaux and phriends,

Christ, it's been too long. And our poor Phlog is hanged!—or at least terribly neglected. But that'll change now, especially since yours truly has sweet bugger all to amuse hirself between now and when work starts in June. So I'm going to be uploading a semester's worth of Philo Phun: LitExes! More Kilmer poems! Spring Surgam! What joy.

But first, some business.

A hearty congratulations to outgoing board members—Chancellor William Ford CC'13, Barnard [Dangerous] Liaison Bianca Isaias BC'11, Censor Christopher Travis CC'11, and especially Moderator Kazim Panjwani—on completing their terms, as Cato Uticensis might say, cum maxima innocentia. You steered well the ship of Philo state.

Further congratulations to graduating seniors—as I have them in the address book—on your impending geezerhood. Keep those dentures handy for debates.
Messrs N. Baron, A. Blumenthal, J. Ennever, M. Kelly, B. Kiernan, M.K. Panjwani, A. Rigosi, H. Schley, R. T. Smith, Z. Sheppard, C. Travis, and D. Walden, and Mmes C. Casiello, S. Itzkoff, E. Rotman, M. Shannon, S. L. Hofstein, B. Isaias, G. Laidlaw, A. Mottola, J. Poindexter, and A. Warner.

And, last, a warm welcome to the Fall 2011 board!
Moderator - Mr.[/Lady] Gavin Mc[Evenin]Gown
Censor - Mr. Benjamin Bardin
Scriba - Mr. Jason Kruta
Chancellor of the Exchequer - Ms. Rebecca Miller
Literary Czar - Ms. M.C. Allen
Minister of Propaganda - Ms. Maya Meredith
Impresario - Ms. Audrey Massmann

[Supporting officers are so far unlisted because we have some positions yet to fill. We'll keep you posted.]

It's going to be a great semester, my loves. I look forward to it.

Surgam,
Your McGauderator.

Wednesday, February 09, 2011

"Noh," said the Sex Friend, playfully.

Here follows the opening LitEx of Spring 2011 (Anno Philolectico 209, Meeting whateveritwas), courtesy of the brilliant Ms. Casiello, the society's most recent Broad Abroad. Hold onto your hats, folks: the first bit's a translation of a Noh play; the second's a translation of some "Yes" play (well, we and TBTN can only hope).

From the Noh play Kiyotsune, by Zeami: Ending section.

When I fell into the realm of hell
Yes, when I fell into the realm of hell
The trees standing around me transformed into enemies
The rain became their falling arrows
The ground their piercing swords
The mountains were their iron castle
Bearing the clouds as their standards
The soldiers readied their swords of arrogance
Their eyes gleamed with malice
With the lust, the envy, the wrath, the foolishness
That are the sins of all beings
Illusions and truth battled fiercely
One, striking like the waves
the other, pulling like the tide
They revealed to me the karma
Of my battles in the Western Seas
But that was only until now!
For at the last moment of my life,
I cried out to the Buddha for salvation
Now, I stand in the ship of the true law.
Since he asked for salvation, since he never doubted,
Kiyotsune, through his pure heart
Kiyotsune, through his pure heart
Has reached Buddhahood
Truly what a miracle this is!

From Sex Friend by Hishizawa Kugetsu

Background: Fujinori is a loser college student who lives in a tiny apartment. Takasu is a super hot guy who decides to move in with him because of some really transparent plot device reason.

"I thought your place seemed too neat, but really you just don't have anything here," Takasu said. "First time I've seen a room that didn't have a single CD."

"I don't listen to music that much."

"But it also looks like you don't watch TV or read magazines. Is that your only connection to the outside world?" Takasu was pointing at the laptop on top of the bookshelf pushed tight against the bed. What's this guy trying to say, thought Fuminari.

"You don't have any hobbies?"

"I guess not," Fuminori said shortly, having already been asked.

"What do you do for fun? Are you always at your girlfriend's house or something?"

"No girlfriend. I go on walks." He couldn't come up with a single thing he did besides go to school, work, or his apartment. He did kind of like walking with no place to go.

"Walk, and then? What?"

"Nothing really."

"Isn't that weird?"

"It feels nice to work the muscles, right?"

Takasu shrugged. Why was this guy smiling so wryly at him?

"Well, you don't need to keep standing. Sit down over here." He patted the space beside him. Fuminori ignored it and instead sat closer to the edge of the bed.

He stretched his legs out and began massaging his tense calves, his mind drifting off, thinking about what he was going to do for dinner—when suddenly, he felt something touch the small of his back.

"What are you doing?"

When he turned around, he heard a voice from lower down say, "Hmm?" Takasu was lying on his belly with his chin propped on his hand, the other hand stretched out towards Fuminori's back.

"I wondered what sort of body a person who walks a lot has."

"Huh?"

"You're not that thin. I thought you might be kind of scrawny." As he spoke, he grabbed his hip bone and Fuminori's shoulders jolted slightly.

"That tickles."

"Sorry." Takasu sat up quickly. He wrapped his arms around Fuminori from behind and pulled his shoulders close.

"Takasu?"

Fuminori could feel his hard chest against his back. Takasu's hands crossed in front of his chest and he was enclosed within Takasu's wide shoulders and long legs, so of course, he started to get suspicious.

"Hold still for a minute."

Before he had a chance to protest, Takasu's fingers undid the button on Fuminori's jeans and traced the seam of his underwear.

"What are you really after?" Fuminori asked, Just as he was about to tell him he couldn't leave his hands in such a risky position, as though about to slip inside, Takasu asked curiously, lips against Fuminori's ear, "Hmm? Is it so surprising?"

"Yeah, I'm asking because I'm surprised."

Twisting his body around so he could look over his shoulder into Takasu's eyes, he saw a face innocent of all evil intent.

"No, I just figured—I'll have to return your present, so instead, I'll give you my body as thanks."

Couldn't he have just helped me move that vase, Fuminori thought, and sighed. Of course not.

Those gentle eyes so close to his moved from Fuminori's for only a moment. His long eyelashes lowered slightly, his line of sight dropping to Fuminori's lips.

He wasn't so immature that he didn't understand the atmosphere of the moment. What Takasu was planning, he didn't know, but this had all the marks of a kiss.
...
[whereupon Ms. Casiello left some of us in the proverbial lurch—and others, who couldn't restrain themselves, reaching for a postprandial cigarette.]

Sunday, January 02, 2011

Kilmer 2010: Winner ("OH Tea Party ME!")

OH Tea Party ME!

by Gerard Leone, Penn '07

(Due to the content of the poem, it has been assumed that the typos are intentional—every last one of them. - Ed.)


Truth, America

TRUTH, America

Where is the TRUTH America?

Where is the Truth Moose America?

Where is the Silly Goose America?

WASHINGTON- The truth moose comes from the country

And dies stabbed by Masonic Pentagrams Inscribed into Capital Map

BY FRENCH PEOPLE

Meanwhile the Silly Goose comes from Harvard

And lays golden eggs that are not golden eggs but chocolate eggs in gold foil

Which is not even American-style chocolate

But Turkish Delight which comes from the Narnia Books

But it’s Turkish so its MUSLIM!

WHY DO YOU LET YOUR GOOSE KILL YOUR MOOSE AMERICA?


Youth, America

YOUTH, America

Where is the Youth in America?

When we were kids there was no health care

SO WHERE IS THE YOUTH, America?

Where are bobby socks and the FONZ and Lawrence Welk and Armless Thaldomide Babies

There was no sickness, even when I was sick there was no sickness, that wasn’t sickness

That was Cancer, but not CANCER—Which is like a gay guy looking at you in the shower

That is cancer, eternal cancer, and how he takes care of his body

CANCER—AWFUL CANCER—the gays in their tight jeans which hug their buttockses

THE FONZ, THE YOUTH, AMERICA?

THE FONZ does not need Healthcare

Who needs healthcare? The Youth in Asia

But the youth in asia is euthanasia

ASIA YOUTH, KILLS AMERICANS

THEY ARE GOING TO KILL AMERICANS


Roof America

The Roof AMERICA

THE ROOF, THE ROOF, America

It’s on FIRE

Because there’s a shooter on the ROOF AMERICA

and he’s taking aim because it hot on a roof that’s on fire

I AM ON FIRE, oo oooh oooh I’m on fire

Hey little girl is your daddy home

Did he go and leave you all alone because he’s fighting the Fire in America?

AMERICA YOU ARE ON FIRE

A fire that burns inside like heart burn

And itches like a hemorrhoid...buttockses that burn in the night

Like ass lanterns in the dark BURN ASS LANTERN

SHOW ME the roof that burns but does not burn

The books that burn but do not burn with GOD

Give me a book depository that will save me

A book depository filled with old copies of

The road to serfdom and vhs cassettes of FREE TO CHOOSE

Rose and Milty Freidman were bald, but she was on FIRE

FIRE FOR AMERICA

Not like Hayek who was an Austrian Aristocrat

We do not need Aristocrats in America

NO QUEENS NO SIRES

NO phds and Esquires

FIRE FIRE FIRE AMERICA- FIRE THE PRESIDENT FIRE AT THE PRESIDENT FIRE THE LIAR PRESIDENT LIAR LIAR MIRE CHOIR ASS LANTERN AMERICA


Couth America,

The COUTH, America

It’s a French word

FRANCE IS NOT AMERICA

AMERICA IS AMERICA

FRANCE IS ONE LETTER AWAY FROM CANCER

FRANCER- no its two additional letters the C and the R AT THE END and subtract the F and the R

so, really it’s minus two plus two it comes out even

FRANCE IS CANCER

Couth? America? You want to be couth? Like the gay guys in France?

With their galois and the jeans so tight

And the gyrating IT'S NOT SAFE AMERICA

They are circling, the French hawk is circling the eagle’s nest America

The gay hawk, they gyrate, in the widening gyre

They can’t hear the hunter’s call NOBODY CAN HEAR YOUR BABY’s call America

Do you know where you baby is America?

They are there on the internet America, going gay

On the chat rooms where America is misspelled Amercia

The Amer CIA, the CIA does not serve the Americans

Amercia it sounds Spanish, Mexicans Illegal

America itself sounds Spanish, it’s Italian

So dark and swarthy but we’re pure

We can never forget their tight jeans, the outline of their erect...

AMERICA


Booth America

BOOTH, America

We can do it America

Booth it America—

YOU KNOW WHAT I MEAN

Booth it or lose it America

MOVE IT America,

We’re stuck in theatre traffic

To apocalypse of John at Madison Square Garden

And we should have left earlier but we were busy

With our constitution reading group

Because it says right there what the founders wanted

And we do what our daddies want

Which was not to tax my flavored waters

Keep you hands off my body OBAMA

When you got your hands on me in my skin tight Jeans

In my teenage dream of America, stop touching me!

BOOTH IT AMERICA, you know what I mean

We’re here in the balcony watching My American Cousin

SEX SEMPER TYRANNUS

Which means

ALWAYS HAVE SEX WITH TYRANTS AMERICA

but leave them in the morning and erase your number from their phone

I’m Leaving America, you’ll never taste my guilt again America

Unless you BOOTH IT AMERICA

Like I said, vote

Vote in the Booth America

That’s all I meant America

AMERICA america................. AMERICA?

Kilmer 2010: First Runner-Up ("Funeral Oration Over the Crater of Senator Theodore Stevens")

Funeral Oration Over the Crater of Senator Theodore Stevens

or: Panegyric to the Apotheosis of a Patriot


by Andrew Hamilton GS '13


My friends, patriots and countrymen. We are gathered here today, not only to crawl from the wreckage of this single-engine amphibious plane and weakly call for help, but also to honor the memory of our fallen hero, the Alaskan of the Century, a towering figure among men and Alaskans: the late United States Senator Theodore Stevens.


My friends, the world will little note nor long remember

The giblets splattered here today

For we cannot consecrate this crater. The brave man scattered here

Has consecrated it far beyond our poor power, and line of sight.


Oh Ted, your fall from grace was swift and askew

Corruption convictions and faulty avionics teamed up on you.

Too soon did vengeful Hovah call you home, young man.

Was it all part of his and the Democrats’ plan?

Or maybe he just wanted to hold you real close.


It’s really cold. Has anyone called for help?


Oh, and those Judases in criminal court

Who Judas’ed you as if for sport

When told that you eternally now dream

Will weep that you’ve escaped their liberal scheme


Oh noble Ted, you embiggened these United States

By half a million square miles, and hundreds of people.

Alas. You’re earmarking vast federal appropriations for projects in heaven now.


I don’t have a cell signal. Does anyone have a signal?


O, Father of the noblest State, that mighty bulwark ‘gainst the Reds,

Even in death you fertilize its tundra’d fields and verdant flower-beds!


To us from failing hands you threw

The briefcase full of unmarked bills

Because banks and ethics panels sure ask a lot of questions, yes they do,

And why can’t some dudes pay for your home improvements if they want to?


Do we have any food? It’s getting dark.


Great Theodore, your Internets have now been sent

To a greater network

Where they cannot be tangled up with all these things going on the Internet commercially.


O, Smart Ted, to disintegrate in burning wreckage betimes away

from tubes where glory does not stay

because those tubes can be filled, they’re not a big truck

not something you just dump something on.


Grand juries can no more touch you now

Than East Coast lawyers can through Alaska’s icy tundras plow

Because they are effete.


Godspeed, Senator.


Godspeed.


Also, I call not it on being eaten first.


and additionally...


Dulce et Decorum Est Pro Loko Mori or, Nanny State 911 and the Four Lokos of the Apocalypse


They came first for the 180-proof Everclear,

and I didn't speak up because I wasn’t an alcoholic.


Then they came for the absinthe,

and I didn't speak up because I wasn't a fancy French guy.


Then they came for the Jews,

and I didn't speak up because I didn’t like Manischewitz.


Then they came for the Four Loko

and by that time no one was left to speak up.


Kilmer 2010: Second Runner-Up ("T")

T

by Misha Solomon CC'14


There is a stove in the kitchen

There is a kettle on the stove T

here is water in the kettle

The water is getting hot

So very hot

So very hot

So very hot

So very loud

Weeeeeeeeeeeeeeeeeeeee goes the water


There is a counter in the kitchen

There is a marble countertop on the counter

There is a mug on the marble countertop

I pour the water

The water which had gone weeeeeeeeee

Into the mug


I look deep into the water

And I see you


You are the water

You are so pure

So necessary

So clear

So wet


The water is one part oxygen

You are a breath of fresh air

The water is two parts hydrogen

You use peroxide in your hair


But you are missing something


There is a pantry in the kitchen

There is a shelf in the pantry

There is a box of teabags on the shelf

I take out a teabag

And put it in the tea

I put my teabag in the tea.


I give the water

So plain

So bland

So flavorless

So odorless

So colorless

So watery


I give it flavor

I give it color

I am the teabag


And I realize what you are missing


You are just water

But you need to be tea

You need flavor

You need color

You need odor

You need my teabag

Inside you


I need to put my teabag inside of you

Deep inside your watery self


You need my teabag


I need to teabag you.


We need to make tea.

Kilmer 2010: Third Runner-Up ("Stiletto Boot on the Side of the Highway")

Stiletto Boot On The Side Of The Highway

by Juliana Strawn BC ʻ14


Stiletto boot on the side of the highway

Like my soul.

Broken, dirty, missing a strap.


O, my soul.

Am I nothing more than an old stiletto

tossed aside on the road?

Are my sins visible

like a broken stiletto heel?

Could a beaver live inside me?

Is there any hope for life

in my broken, broken soul?


Despite my Grandfatherʼs protests,

I stop the car

and pull over on the side of the road.


The door creaks when I open it.

Creak creak.

My soul creaks when I open it.

Creak creak.

I need to oil it so it wonʼt creak.


I pick up the stiletto boot.

My soul.

I sniff it.

Is it empty?

No! There is a family of worms in it!

There is life in my soul!


I take the stiletto to my grandfather.

How can this bitter old man understand my awakening?

I place the stiletto boot in his lap.

He cautiously picks it up

and tentatively eats part of it.

A hunger for knowledge.

I think he understands.